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Dziemianowicz, Stefan; Robert Weinberg, Martin Greenberg (editors) R. Murray Gilchrist, Vincent O'Sullivan, Lafcadio Hearn, Jessica Amanda Salmonson ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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Hearn, Lafcadio Fantastics and Other Fancies
USA Wildside Press 2000 1587152053 / 9781587152054 First Edition Private Press Trade Paperback Fine
LOVE AND DEATH IN NEW ORLEANS . . . "I am conscious they are only trivial," wrote Lafcadio Hearn from New Orleans in 1880 to his friend H. E. Krehbiel, speaking of the weird little sketches he was publishing from time to time in the columns of the Daily Item, the New Orleans newspaper which first gave him employment in the city where he spent the ten years from 1877 to 1887. "But I fancy," he goes an, "that the idea of the fantastics is artistic. They are my impressions of the strange life of New Orleans. They are dreams of a tropical city. There is one twin idea running through them all - Love and Death. And these figures embody the story of life here, as it impresses me." 36 stories by Lafcadio Hearn
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13.00 USD
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Hurley, Mike & Daniel Gelman-Katz, editors; Afanasyev, Aleksandr; S. Baring-Gould, Ambrose Bierce, Lafcadio Hearn, Zackquill Henry, John Keats, Matthew Gregory Lewis, Alessandro Manzoni, Frederick Marryat, Edgar Allan Poe, P'u Sung-ling, Saki, Vishnu LIBRARY OF THE STRANGE, SUPERNATURAL, HORRIBLE & FANTASTIC VOLUME 7 SPECIAL EDITION - MIKE HURLEY'S STRANGE TALES.
USA Segregansett Press 1998 First Edition Private Press Trade Paperback Fine
128pp. Illustrated and footnoted.
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12.00 USD
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Hurley, Mike & Daniel Gelman-Katz (editors) Afanasyev, Aleksandr ; Ambrose Bierce, Theophile Gautier, Lafcadio Hearn, Thomas A. Janvier, Matthew Gregory Lewis, Guy de Maupassant, Edna St. Vincent Millay, Jan Neruda, Edgar Allan Poe, William Shakespea LIBRARY OF THE STRANGE, SUPERNATURAL, HORRIBLE & FANTASTIC VOLUME 9
USA Segregansett Press 1999 First Edition Private Press Trade Paperback Fine
136pp. Illustrated and footnoted stories and poery.
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12.00 USD
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Hearn, Lafcadio & Paul A. Murray (introduction) NIGHTMARE-TOUCH
UK Tartarus Press 2010 1905784198 / 9781905784196 First Edition Private Press Hard Cover Fine Fine
235+xvi pages. Contents: 'Introduction' by Paul A. Murray, 'Nightmare-Touch'. Fantastics: 'The Fountain of Gold', 'The Ghostly Kiss', 'The Vision of the Dead Creole', 'The Name on the Stone', 'Aphrodite and King's Prisoner', 'A Dead Love', 'At the Cemetery', 'Stray Leaves from Strange Literature', 'The Fountain Maiden', 'The Magical Words', 'The Bird Wife', 'The Legend of the Monster Misfortune'. Some Chinese Ghosts: he Legend of Tchi-Niu', 'The Story of Ming-Y', 'The Return of Yen-Tchin-King', 'The Tradition of the Tea-Plant'. Two Years in the French West Indies: 'La Guiablesse', 'Yé'. Japanese Ghosts: 'Of Ghosts and Goblins', 'Fragment', 'A Passional Karma', 'Ingwa-banashi', 'The Reconciliation', 'The Corpse-Rider', 'Of a Promise Broken', 'The Story of Umétsu Chubei', 'The Legend of Yurei-Daki', 'In A Cup of Tea', 'The Story of Chugoro', 'Ikiryo', 'The Story of Mimi-Nashi-Hoïchi', 'Rokuro-Kubi', 'Yuki-Onna', 'The Dream of Akinosuké', 'Jikininki', 'Mujina', 'The Story of Ito Norisuké'. Limited to 300 copies. Introduction by Paul A. Murray. 'His hobbies were fantastic. He knew all manner of odd things, dreadful things, uncanny things. He was purblind, and the shadow of a telegraph pole rose to him 'the shadow of a gigantic skeleton'. He studied Hoodooism [sic], witchcraft, etc. . . and knew all the horrible things about the old-time doings-frightful, barbaric, hideous punishments, etc.; and he knew some of the sweetest poetry in all tongues.' So wrote an acquaintance of prolific horror writer Lafcadio Hearn (1850-1904). But in his writing Hearn was not concerned with achieving cheap thrills or titillation: horror was rather a means of expanding the boundaries of experience. He used his extensive knowledge of folklore and ancient beliefs and religions to challenge his readers, using horror to hint at spiritual realities beyond the grasp of contemporary materialism. Hearn was brought up in Ireland, then England, and after school spent two years of near destitution in London before emigrating to America. After some years working as a journalist in Cincinnati he moved to New Orleans, becoming immersed in Creole culture and French literature. From 1888-1890 he lived in the West Indies before moving to Japan, where he married and settled for the remainder of his life. Undoubtedly one of the greatest Western interpreters of Japan, Hearn wrote many books on Japanese culture, as well as translating traditional ghost tales.
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51.50 USD
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Hearn, Lafcadio & Paul A. Murray (introduction) NIGHTMARE-TOUCH
UK Tartarus Press 2010 1905784198 / 9781905784196 First Edition Private Press Hard Cover Fine Fine
Introduction by Paul A. Murray. 'His hobbies were fantastic. He knew all manner of odd things, dreadful things, uncanny things. He was purblind, and the shadow of a telegraph pole rose to him 'the shadow of a gigantic skeleton'. He studied Hoodooism [sic], witchcraft, etc. . . and knew all the horrible things about the old-time doings-frightful, barbaric, hideous punishments, etc.; and he knew some of the sweetest poetry in all tongues.' So wrote an acquaintance of prolific horror writer Lafcadio Hearn (1850-1904). But in his writing Hearn was not concerned with achieving cheap thrills or titillation: horror was rather a means of expanding the boundaries of experience. He used his extensive knowledge of folklore and ancient beliefs and religions to challenge his readers, using horror to hint at spiritual realities beyond the grasp of contemporary materialism. Hearn was brought up in Ireland, then England, and after school spent two years of near destitution in London before emigrating to America. After some years working as a journalist in Cincinnati he moved to New Orleans, becoming immersed in Creole culture and French literature. From 1888-1890 he lived in the West Indies before moving to Japan, where he married and settled for the remainder of his life. Undoubtedly one of the greatest Western interpreters of Japan, Hearn wrote many books on Japanese culture, as well as translating traditional ghost tales. Contents: 'Introduction' by Paul A. Murray, 'Nightmare-Touch'. Fantastics: 'The Fountain of Gold', 'The Ghostly Kiss', 'The Vision of the Dead Creole', 'The Name on the Stone', 'Aphrodite and King's Prisoner', 'A Dead Love', 'At the Cemetery', 'Stray Leaves from Strange Literature', 'The Fountain Maiden', 'The Magical Words', 'The Bird Wife', 'The Legend of the Monster Misfortune'. Some Chinese Ghosts: he Legend of Tchi-Niu', 'The Story of Ming-Y', 'The Return of Yen-Tchin-King', 'The Tradition of the Tea-Plant'. Two Years in the French West Indies: 'La Guiablesse', 'Yé'. Japanese Ghosts: 'Of Ghosts and Goblins', 'Fragment', 'A Passional Karma', 'Ingwa-banashi', 'The Reconciliation', 'The Corpse-Rider', 'Of a Promise Broken', 'The Story of Umétsu Chubei', 'The Legend of Yurei-Daki', 'In A Cup of Tea', 'The Story of Chugoro', 'Ikiryo', 'The Story of Mimi-Nashi-Hoïchi', 'Rokuro-Kubi', 'Yuki-Onna', 'The Dream of Akinosuké', 'Jikininki', 'Mujina', 'The Story of Ito Norisuké'. Nightmare-Touch is a sewn hardback of 235+xvi pages. Limited to 300 copies.
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51.50 USD
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8 |
Hearn, Lafcadio & Paul A. Murray (introduction) NIGHTMARE-TOUCH
UK Tartarus Press 2010 1905784198 / 9781905784196 First Edition Private Press Hard Cover Fine Fine
235 + xvi pages. Contents: 'Introduction' by Paul A. Murray, 'Nightmare-Touch'. Fantastics: 'The Fountain of Gold', 'The Ghostly Kiss', 'The Vision of the Dead Creole', 'The Name on the Stone', 'Aphrodite and King's Prisoner', 'A Dead Love', 'At the Cemetery', 'Stray Leaves from Strange Literature', 'The Fountain Maiden', 'The Magical Words', 'The Bird Wife', 'The Legend of the Monster Misfortune'. Some Chinese Ghosts: he Legend of Tchi-Niu', 'The Story of Ming-Y', 'The Return of Yen-Tchin-King', 'The Tradition of the Tea-Plant'. Two Years in the French West Indies: 'La Guiablesse', 'Yé'. Japanese Ghosts: 'Of Ghosts and Goblins', 'Fragment', 'A Passional Karma', 'Ingwa-banashi', 'The Reconciliation', 'The Corpse-Rider', 'Of a Promise Broken', 'The Story of Umétsu Chubei', 'The Legend of Yurei-Daki', 'In A Cup of Tea', 'The Story of Chugoro', 'Ikiryo', 'The Story of Mimi-Nashi-Hoïchi', 'Rokuro-Kubi', 'Yuki-Onna', 'The Dream of Akinosuké', 'Jikininki', 'Mujina', 'The Story of Ito Norisuké'. Limited to 300 copies. Introduction by Paul A. Murray. 'His hobbies were fantastic. He knew all manner of odd things, dreadful things, uncanny things. He was purblind, and the shadow of a telegraph pole rose to him 'the shadow of a gigantic skeleton'. He studied Hoodooism [sic], witchcraft, etc. . . and knew all the horrible things about the old-time doings-frightful, barbaric, hideous punishments, etc.; and he knew some of the sweetest poetry in all tongues.' So wrote an acquaintance of prolific horror writer Lafcadio Hearn (1850-1904). But in his writing Hearn was not concerned with achieving cheap thrills or titillation: horror was rather a means of expanding the boundaries of experience. He used his extensive knowledge of folklore and ancient beliefs and religions to challenge his readers, using horror to hint at spiritual realities beyond the grasp of contemporary materialism. Hearn was brought up in Ireland, then England, and after school spent two years of near destitution in London before emigrating to America. After some years working as a journalist in Cincinnati he moved to New Orleans, becoming immersed in Creole culture and French literature. From 1888-1890 he lived in the West Indies before moving to Japan, where he married and settled for the remainder of his life. Undoubtedly one of the greatest Western interpreters of Japan, Hearn wrote many books on Japanese culture, as well as translating traditional ghost tales.
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51.50 USD
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9 |
Hearn, Lafcadio & Paul A. Murray (introduction) NIGHTMARE-TOUCH
UK Tartarus Press 2010 1905784198 / 9781905784196 First Edition Private Press Hard Cover Fine Fine
Contents: 'Introduction' by Paul A. Murray, 'Nightmare-Touch'. Fantastics: 'The Fountain of Gold', 'The Ghostly Kiss', 'The Vision of the Dead Creole', 'The Name on the Stone', 'Aphrodite and King's Prisoner', 'A Dead Love', 'At the Cemetery', 'Stray Leaves from Strange Literature', 'The Fountain Maiden', 'The Magical Words', 'The Bird Wife', 'The Legend of the Monster Misfortune'. Some Chinese Ghosts: he Legend of Tchi-Niu', 'The Story of Ming-Y', 'The Return of Yen-Tchin-King', 'The Tradition of the Tea-Plant'. Two Years in the French West Indies: 'La Guiablesse', 'Yé'. Japanese Ghosts: 'Of Ghosts and Goblins', 'Fragment', 'A Passional Karma', 'Ingwa-banashi', 'The Reconciliation', 'The Corpse-Rider', 'Of a Promise Broken', 'The Story of Umétsu Chubei', 'The Legend of Yurei-Daki', 'In A Cup of Tea', 'The Story of Chugoro', 'Ikiryo', 'The Story of Mimi-Nashi-Hoïchi', 'Rokuro-Kubi', 'Yuki-Onna', 'The Dream of Akinosuké', 'Jikininki', 'Mujina', 'The Story of Ito Norisuké'. Nightmare-Touch is a sewn hardback of 235+xvi pages. Limited to 300 copies. Introduction by Paul A. Murray. 'His hobbies were fantastic. He knew all manner of odd things, dreadful things, uncanny things. He was purblind, and the shadow of a telegraph pole rose to him 'the shadow of a gigantic skeleton'. He studied Hoodooism [sic], witchcraft, etc. . . and knew all the horrible things about the old-time doings-frightful, barbaric, hideous punishments, etc.; and he knew some of the sweetest poetry in all tongues.' So wrote an acquaintance of prolific horror writer Lafcadio Hearn (1850-1904). But in his writing Hearn was not concerned with achieving cheap thrills or titillation: horror was rather a means of expanding the boundaries of experience. He used his extensive knowledge of folklore and ancient beliefs and religions to challenge his readers, using horror to hint at spiritual realities beyond the grasp of contemporary materialism. Hearn was brought up in Ireland, then England, and after school spent two years of near destitution in London before emigrating to America. After some years working as a journalist in Cincinnati he moved to New Orleans, becoming immersed in Creole culture and French literature. From 1888-1890 he lived in the West Indies before moving to Japan, where he married and settled for the remainder of his life. Undoubtedly one of the greatest Western interpreters of Japan, Hearn wrote many books on Japanese culture, as well as translating traditional ghost tales.
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51.50 USD
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Hearn, Lafcadio On Poets
Japan Hokuseido Press 1938 none First Edition, Second Printing Hard Cover Fair
831pp. endpapers cracked, an attempt has been made to repair the joints, almost all the way loose at the back joint, spine very loose.
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24.50 USD
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Davenport, Basil (editor) W.F. Harvey, Stephen Hall, Saki, Lord Dunsany, Margaret Irwin, John Collier, Lafcadio Hearn, Anonymous TALES TO BE TOLD IN THE DARK
USA Ballantine Bal-Hi 1969 none First Edition Reprint Mass Market Paperback Very Good
#70009 - 50 cent cover price. Heavily creased down entire back cover. 159pp. The Beast with Five Fingers by Harvey / By One, By Two, and by Three by Hall / Sredni Vashtar & The Open Window by Saki / The Two Bottle of Relish by Dunsany / The Book by Irwin / Thus I Refute Beelzy by Collier / Mujina by Hearn / Two Anecdotes & The Closed Cabinet by Anonymous.
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1.50 USD
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Adrian, Jack (editor) W. W. Jacobs, Michael Kent, H. R. Wakefield, Peter Gladwin, Edgar Jepson, A. B. Cox, William Caine, Douglas Newton, Barry Perowne, David Christie Murray, Andrew Lang, Katharine Tynan, Lafcadio Hearn, Lady Cynthia Asquith THE ASH-TREE PRESS ANNUAL MACABRE 2005 - HAVEN'T I READ THIS BEFORE?
Canada Ash-Tree Press 2006 1553100875 / 9781553100874 First Edition Hard Cover Fine Fine
xxxiv+214pp. Limited to 400 copies. The writer faced with a blank sheet of paper has to decide how the story he is going to write will develop: what will be its theme? what will be its outcome? He draws on his experience and talent to produce an original work for his reader's enjoyment. On occasion, however, his mind may be seeded with ideas drawn from something he himself has read. This year's ANNUAL MACABRE looks at a number of writers whose work appears either to have been influenced, or been an influence upon, the work of others. In some of the stories, well-known writers have drawn on, and improved, earlier work. In others, lesser known writers have attempted their own variations on well-known stories. In his fascinating introduction (which the reader is strongly urged to consider before reading the stories themselves) Jack Adrian discusses the theme of plagiarism and literary (and musical) theft. But outright plagiarism is not the sole theme of this ANNUAL which, as ever, showcases stories that will, in the main, be unknown, even if certain themes and storylines will be at least vaguely familiar, if not instantly recognizable. So turn down the light and enjoy twenty stories from the pens of such as W. W. Jacobs, H. R. Wakefield, Edgar Jepson, Douglas Newton, Andrew Lang, and A. M. Burrage (whose story 'The House of His Fathers' is reprinted for the first time since its original magazine publication in 1914). CONTENTS: Introduction by Jack Adrian. I. W.W. JACOBS: The Toll House by W. W. Jacobs; Reconstruction by Michael Kent; Blind Man's Buff by H. R. Wakefield; The Well by W. W. Jacobs; The Well in the Garden by Peter Gladwin / II. AGATHA CHRISTIE: Mrs Morrel's Last Séance by Edgar Jepson; Over the Telephone by A. B. Cox / III. DAPHNE DU MAURIER: The Starlings by William Caine / IV. BARRY PEROWNE: 'And There's Your Proof' by Douglas Newton; The Blind Spot by Barry Perowne / V. ARTHUR CONAN DOYLE: The Case of Muelvos y Sagra by David Christie Murray / VI. ANDREW LANG: The House of Strange Stories by Andrew Lang; A Sentence of Death by Katharine Tynan; Mrs Carabay's Curious Dream by Mary E. Mann; The Man on the Hearse by Janet Deene / VII. KATHARINE TYNAN: The Dream House by Katharine Tynan; The House of His Fathers by A. M. Burrage; The Garden of Fancy by A. M. Burrage / VIII. LAFCADIO HEARN: Mujina by Lafcadio Hearn; The Follower by Lady Cynthia Asquith
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Williamson, Chet & Alan Drew, Ph.D (editor) Lafcadio Hearn (related) THE STORY OF NOICHI THE BLIND
USA Cemetary Dance Publications 2007 978158767167 First Edition Private Press Hard Cover Fine Fine Jill Bauman Signed by Author
100 pp. Introduction by Chet Williamson. Afterword by Alan Drew, Ph.D. Chet Williamson's The Story of Noichi the Blind blends Japanese classicism with the tropes of contemporary horror to create the most literate yet stomach-churning tale this writer has ever told. Purported to be a possibly lost Lafcadio Hearn manuscript, this Japanese "folk tale" (complete with introduction and scholarly afterword) tells the story of a simple woodcutter whose confrontation with a mountain demon plunges his life into a nightmare of violence, self-delusion, and extreme sexual darkness. Tinged by the blackest of humor, The Story of Noichi the Blind is a work that Williamson fears could get him arrested in several countries and carefully observed in his own.
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31.00 USD
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18 |
Williamson, Chet & Alan Drew, Ph.D (editor) Lafcadio Hearn (related) THE STORY OF NOICHI THE BLIND
USA Cemetary Dance Publications 2007 978158767167 First Edition Private Press Hard Cover Fine Fine Jill Bauman Signed by Author
100 pages. Introduction by Chet Williamson. Afterword by Alan Drew, Ph.D. Chet Williamson's The Story of Noichi the Blind blends Japanese classicism with the tropes of contemporary horror to create the most literate yet stomach-churning tale this writer has ever told. Purported to be a possibly lost Lafcadio Hearn manuscript, this Japanese "folk tale" (complete with introduction and scholarly afterword) tells the story of a simple woodcutter whose confrontation with a mountain demon plunges his life into a nightmare of violence, self-delusion, and extreme sexual darkness. Tinged by the blackest of humor, The Story of Noichi the Blind is a work that Williamson fears could get him arrested in several countries and carefully observed in his own.
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31.00 USD
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Dziemianowicz, Stefan; Robert Weinberg, Martin Greenberg (editors) R. Murray Gilchrist, Vincent O'Sullivan, Lafcadio Hearn, Jessica Amanda Salmonson on 95bellstreet.com
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